Opus 9 No.2 in E flat
The popular image of Fryderyk Chopin as a consumptive invalid does him a disservice. He was a man of paradoxes: a Polish nationalist who lived out his days in exile in France; a musician who hated giving public concerts; a composer whose piano works were replete with the influence of bel canto opera, and whose idols in the early Romantic era were Bach and Mozart. Lavishly melodic yet classically restrained, visionary in imagination yet tautly constructed, his was one of the most individual musical voices of his era.
Chopin's minimal score allows pianists plenty of room for imagination.
Jon Tolansky |
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