Noscere Audere Velle Tascere Ire: rifts on Arts, music, photography, history, literature, poetry, science, the paintings, visual arts, the dance and ultimately to the living spaces of nature by Nosauvelta. This is a look for the space between thinking, knowing, seeing, understanding and listening well, reading stories and thoughts of what was, what is, and what has to be as told by the wise through blogs, photos, video, and music blogs.
If There Is Much In The Window There Should Be More In The Room
“Time could truly be made to stand still. Texture could be
retained despite sudden violent movement.”
Gjon Mili (born 1904, Korça, Albania 1984) was
an Albanian-American photographer.
Born to Vasil Mili and Viktori Cekani, came to the United States in 1923.
Fifteen years later, he was a photographer for Life (a relationship that
continued until his death in 1984), and his assignments took him to the Riviera
(Picasso); to Prades, France (Pablo Casals in exile); to Israel (Adolf Eichmann
in captivity); to Florence, Athens, Dublin, Berlin, Venice, Rome, and Hollywood
to photograph celebrities and artists, sports events, and concerts, and
sculptures and architecture.
Trained as an engineer and self-taught in photography, Gjon Mili was the first
to use electronic flash and stroboscopic light to create photographs that had
more than scientific interest. Since the late 1930s, his pictures of dance,
athletics, and musical and theatrical performances have astonished and
delighted millions of viewers, revealing the beautiful intricacy and graceful
flow of movement too rapid or too complex for the eye to discern. His portraits
of artists, musicians, and other notables are less visually spectacular, but
equally masterful.
In 1939, Mili became a freelance photographer working for LIFE. In the course
of more than four decades, literally thousands of his pictures were published
by LIFE as well as other publications.
Gjon Mili is the one photographer who has formed our contemporary visual
understanding of movement, both in the direct example of his pictures and in
the influence his work has had on all action photographers who have come after
him.
His book Photographs and Recollections is a summary of his fifty years of work
in photography. -- Wikipedia
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Gjon Mili. Moira Shearer.
Ballerina Moira Shearer
Ballerina Moira Shearer 1
Ballerina Moira Shearer as Cinderella
Moira Shearer
Gene Kelly by Gjon Mili
Tony & Sally DeMarco, ballroom dance team 1941
Tony & Sally DeMarco
Tony & Sally DeMarco1
Alicia Alonso & Hugh Laing executing a grande jete en avant
Ballet dancer Hugh Laing executing a leap w. legs crossed
Ballet dancer Hugh Laing executing a leap w. legs split
Alicia Alonso & Hugh Laing executing a port de bras
Prima ballerina Dame Margot Fonteyn
Ballerina Margot Fonteyn in white costume
Ballerina Margot Fonteyn in white tutu
Ballerina Margot Fonteyn in white tutu dancing alone on stage 3
Ballerina Margot Fonteyn in white tutu dancing alone on stage 4
Ballerina Margot Fonteyn in white tutu dancing alone on stage 5
Ballerina Margot Fonteyn in white tutu dancing alone on stage7
Ballerina Margot Fonteyn in white tutu dancing alone on stage 10
Dancer actor Gene Kelly in multiple-exposure dance sequence 1944
Dancer Anita John (front), of Anita John School of Dance, doing an interpretive dance on beach
Kaye Popp & Stanley Catron demonstrating steps of The Lindy Hop.
Figure skater Carol Lynne movements are charted by flashlights imbedded in each boot while stroboscopic light stops her in mid-leap
Figure skater Carol Lynne does an arabesque camel spin illustrated by flashlights imbedded in each boot
Spanish dancer Jose Greco performing
Stroboscopic Dancer
Spanish flamenco dancer Carmen Amaya (R) performing w. her sister Antonia
Corazon, I didn't know you do ballet.
ReplyDeleteHahaha
ReplyDeleteI'm such a sucker
for tutus, en pointes
and arabesques!