Nathan
Milstein. Jakob Ludwig Felix Mendelssohn Bartholdy - Violin Concerto №1
Mendelssohn originally proposed the idea of the violin concerto to Ferdinand David, a close friend and then concertmaster of the Leipzig Gewandhaus Orchestra. Although conceived in 1838, the work took another six years to complete and was not premiered until 1845. During this time, Mendelssohn maintained a regular correspondence with David, seeking his advice with the concerto. The work itself was one of the violin concertos of the Romantic era and was influential to the compositions of many other composers.
Although the concerto consists of three movements in a standard fast–slow–fast structure and each movement follows a traditional form, the concerto was innovative and included many novel features for its time. Distinctive aspects of the concerto include the almost immediate entrance of the violin at the beginning of the work (rather than following an orchestral preview of the first movement's major themes, as was typical in Classical era concertos) and as a whole, the concerto has a through-composed form, in which the three movements are melodically and harmonically connected and played attacca (each movement immediately following the previous one).
The concerto was initially well received and soon became regarded as one of the greatest violin concertos of all time. The concerto remains popular and has developed a reputation as an essential concerto for all aspiring concert violinists to master, and usually one of the first Romantic era concertos they learn. Many professional violinists have recorded the concerto and the work is regularly performed in concerts and classical music competitions. - Wikipedia
Nathan Milstein (1903 - 1992) was a Russian-born
American virtuoso violinist.
Widely considered one of the finest violinists of the 20th century, Milstein was known for his interpretations of Bach's solo violin works and for works from the Romantic period.
He was also known for his long career: he performed at a high level into his mid 80s, retiring only after suffering a broken hand.was called the "prince of the violin" (and at one time, the "prince of the bow"). Harold Schonberg, in his obituary of Milstein published in The New York Times , wrote his famous line, "He could well have been the most nearly perfect violinist of his time".
He received a Grammy Award in 1975 for his recording of Bach's sonatas and partitas, and was awarded the Légion d'honneur by France in 1968. He was also awarded Kennedy Center honors by President Ronald Reagan.
A recital he gave in Stockholm in July 1986 proved to be his final performance. An accident shortly afterwards ended his career.
For most of his career he performed on the "Milstein (Maria Teresa), Goldman" Stradivarius of 1716 and for a short period the "Dancla" Stradivarius of 1710.
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